It starts with the composer. Syllables cease to function as parts of a system of representation and, instead, announce their own intrinsic existence to the listener. The tin foil cylinderthe wax cylinderthe steel wirethe magnetic tape ?
But whether my eyes are open or closed, whether I am looking or listening, what is happening is that I am using my body, my senses.
Then the poem itself must, at all points, be a high-energy construct and, at all points, an energy-discharge. My orbital muscles take it at face value. Afterward he devoted much of his life to his craft, living primarily in Gloucester while occasionally accepting visiting professorships at various institutions, including the State University of New York at Buffalo now called the University at Buffalo and the University of Connecticut at Storrs.
Now take Hart Crane. Homo maximus wrests his life from the underworld as the Gloucester fisherman wrests his from the sea.
It had a dying fall, o, it came over my ear like the sweet sound that breathes upon a bank of violets, stealing and giving odour. Further, writing is treacherous because it seeks not just to supplement speech but to substitute itself as the origin for poetic composition.
I am, of course, embellishing my experience. The fineness, and the practice, lie here, at the minimum and source of speech. With this warning, to those who would try: One might say that the classical ideal of the intelligible is that it be allowed to sport with the sensible, yet never find itself sullied by the encounter.
I would suggest that verse here and in England dropped this secret from the late Elizabethans to Ezra Pound, lost it, in the sweetness of meter and rime, in a honey-head.
The two halves are: Among the themes treated in the Maximus cycle are the values and heroism of the working people of Gloucester, and how what might have been an idyllic community has been violated by modern American consumer culture.Olson presented the fundamental theory of the Black Mountain school in his essay "Projective Verse," a radical statement which proposes a philosophy of existence as well as a new poetics, both.
Charles Olson’s essay Projective Verse () became their manifesto. Olson emphasized the creative process, in which the poet’s energy is transferred through the poem to the reader. Olson emphasized the creative process, in which the poet’s energy is transferred through the poem to the reader.
Charles Olson: Charles Olson, American poet and literary theorist, widely credited with first using the term postmodern in discussing American poetry and known for his association with the Black Mountain poets and for his influence on the generation of American poets who emerged after World War II.
Projective Verse is a method (a suggestion, McClure calls it) offered by Charles Olson in Olson is most often associated with the Black Mountain School of poetry, based on his tenure at that iconic educational institution and the inclusion of his work in the Black Mountain Review, the seminal publication associated with the college.
Charles Olson (27 December – 10 January ) was a second generation American poet who was a link between earlier figures such as Ezra Pound and William Carlos Williams and the New American poets, which includes the New York School, the Black Mountain School, the Beat poets, and the San Francisco ultimedescente.comuently, many postmodern groups, such as the poets of the language.
Charles Olson – (Full name Charles John Olson) American poet and essayist. Olson was a major figure in the Black Mountain school of Post-modernist American poetry.Download